James Diaz is the founding editor of the literary arts & music journal Anti-Heroin Chic. heroinchic.weebly.com/ His work has appeared in Cheap Pop Lit, Ditch, HIV Here & Now, Foliate Oak and Epigraph. He struggles with Dissociative Identity Disorder, but after a lifetime of being labelled Bi-Polar he is now living medicine free for over five years. He's slowly starting to be able to feel his own skin again. Instead of three pills a day he writes three poems a day. He lives in upstate New York.
Lovely, Defective
say life
and everywhere
so little of it
part / parcel
shrieking
the emptier the refrain
the fuller the form
wrist scars
and hideaways
from before
the war
and here
and now
the body reaches its lowest
loneliest moment
frozen tundra
there's no god talking back
with wind or jealousy
only dark on top
of darker
what more did you want?
bionomy
bite marks
when love turns violent
half a day's travel
toward nothing at all?
something else?
Tell us all
what it is
we're missing?
Carry The Impossibility and Add It To The Four
I know how much you hate it
the status updates
the roving eye
hand uncoordinated
and winter deep inside everything
call your people
tell them you've forgotten how to smile
and the scar itching
but what does it know
something happened
and can't unhappen
like defusing a cognitive bomb
Bion's unknowable aching
even my teeth know how bad it's gonna get
and midnight cuts in
the table missing a chair
missing my mind
and so, so much more.
Everywhere I Went I Found Something Missing
and I couldn't tell you what it was
it took me months to get a full sentence out
and when I finally did
I asked you to repeat the words
till I could hear myself through you
till I could trust the language again.
It May Look Like Unraveling
I used to see things that weren't there. Like Plath I was very adept at trying to die. It was my calling. Almost a life time ago. Almost. I remember the kindness of a man named Vince who held my hand as we walked the long cold halls toward a room with no windows, single metal bed and thick parachute straps, the walls were like sheets of iron blocking out the sun, the cameras, I thought then, were the laughing eyes of a cruel god. "It'll be alright" I remember Vince telling me, "I'll be here 24 hours from now, I ain't goin' nowhere." Even in my darkest hours there were men and women who kept me above the water line, for two years I lived in a place with no light but that which hid itself in other people, in extended hands, the touch and feel of someone's skin reminding me that I was in my own. And there were these words a night nurse once said to me: "It may look like an unraveling, but you are somehow being born." Impossible pain, I now know, lends itself to something that is worth waiting around for; the rest of the story. Maybe a little or a lot more pain, maybe a little or a lot more life.
Outsider Poetry, a literary review for those who create with mental illness, are self-trained, or create art and poetry that challenges cultural and academic norms.
Wednesday, February 22, 2017
Monday, February 20, 2017
Poetry By Alicia Cole
Alicia Cole is a writer and visual artist in Huntsville, AL. Her work has recently appeared or is forthcoming in Amaryllis, Eunoia Review, and Hermeneutic Chaos.
Fat Contemplation #1: Listening to Richard Wilbur's “The Writer”
I am laboring against the fat.
Richard Wilbur is laboring
also, telling me of birds
who batter themselves
against the window. Life, death,
thick poet stuff. My hands rend fat
out of my stomach, then pump oxygen
rich air. I'd rather be his daughter.
I'd rather be anyone but me.
My belly feels as though it will necrotize
my whole world. This is what
I get for being suicidal. Women,
read me: for a low-fat life,
eschew suicide. Be Richard Wilbur's
daughter. Be anyone else.
Be the cans of La Croix
I'm constantly chugging, mouth dry
and famished. Be Andy Warhol's
new series, La Croix Cans.
Be me rounding every bend
as I lug my body homewards
to where my mother
is cooking black-eyed peas
and dinner, at the very least, is lucky.
Fat Contemplation #2: Fat Girl in Space
I've enough fat to fill a spacesuit.
Conversationally speaking,
this weight of my body leads
me to horrendous exaggeration.
I do have enough mental illness
to fill the whole world. My body's
orbital objects slap together, one singular,
jarring gravitational loss. I retain my
appetite, as humongous as my ego;
can you also see me examining
my face in every mirror?
Will I commit suicide just to keep
from feeling my own fat?
I should vault myself into space,
but there is not enough cold
in the entire vacuum to penetrate
all of this unnecessary fat.
I should vault myself into space
and leave my fat suit open anyway.
If I shaved off all of my fat, maybe
I could feed the vultures, several starving
children in India. If I shaved off
all my fat, maybe I could feed myself.
Fat Contemplation #3: Suicide Prevention
The fat is trimming off, slowly.
Underneath, something dark
and dank rolls in my fat-heavy
flesh. When I walk the fat off,
this thing too reels away, keening.
I am like a wide ocean.
Every part of me trembles.
Every part of me contemplates
the nature of air, my lungs
having decided for me to breathe.
When the fat burns off you too
will go, I say to myself. It looks
at me, this thing. No reply.
Just a blank empty I used to chug
biscuits against in the hospital.
Just a blank empty only a few
footsteps shy of my newly
steeped green tea. I would like
to claim my fat suit day
where everything is biscuits.
Fresh baked and slathered in no-suicide
butter, like the no-suicide blackberries
I now gulp from the refrigerator
in sweet, necessary handfuls.
I think my fat suit day would feel warm.
Fat Contemplation #1: Listening to Richard Wilbur's “The Writer”
I am laboring against the fat.
Richard Wilbur is laboring
also, telling me of birds
who batter themselves
against the window. Life, death,
thick poet stuff. My hands rend fat
out of my stomach, then pump oxygen
rich air. I'd rather be his daughter.
I'd rather be anyone but me.
My belly feels as though it will necrotize
my whole world. This is what
I get for being suicidal. Women,
read me: for a low-fat life,
eschew suicide. Be Richard Wilbur's
daughter. Be anyone else.
Be the cans of La Croix
I'm constantly chugging, mouth dry
and famished. Be Andy Warhol's
new series, La Croix Cans.
Be me rounding every bend
as I lug my body homewards
to where my mother
is cooking black-eyed peas
and dinner, at the very least, is lucky.
Fat Contemplation #2: Fat Girl in Space
I've enough fat to fill a spacesuit.
Conversationally speaking,
this weight of my body leads
me to horrendous exaggeration.
I do have enough mental illness
to fill the whole world. My body's
orbital objects slap together, one singular,
jarring gravitational loss. I retain my
appetite, as humongous as my ego;
can you also see me examining
my face in every mirror?
Will I commit suicide just to keep
from feeling my own fat?
I should vault myself into space,
but there is not enough cold
in the entire vacuum to penetrate
all of this unnecessary fat.
I should vault myself into space
and leave my fat suit open anyway.
If I shaved off all of my fat, maybe
I could feed the vultures, several starving
children in India. If I shaved off
all my fat, maybe I could feed myself.
Fat Contemplation #3: Suicide Prevention
The fat is trimming off, slowly.
Underneath, something dark
and dank rolls in my fat-heavy
flesh. When I walk the fat off,
this thing too reels away, keening.
I am like a wide ocean.
Every part of me trembles.
Every part of me contemplates
the nature of air, my lungs
having decided for me to breathe.
When the fat burns off you too
will go, I say to myself. It looks
at me, this thing. No reply.
Just a blank empty I used to chug
biscuits against in the hospital.
Just a blank empty only a few
footsteps shy of my newly
steeped green tea. I would like
to claim my fat suit day
where everything is biscuits.
Fresh baked and slathered in no-suicide
butter, like the no-suicide blackberries
I now gulp from the refrigerator
in sweet, necessary handfuls.
I think my fat suit day would feel warm.
Thursday, February 16, 2017
Tell Vision By Genelle Chaconas
Genelle Chaconas is genderfluid, queer, feminist, an abuse survivor, over 30, periodically unemployed, and proud. They earned their BA in Creative Writing from CSUS (2009) and their MFA in Writing and Poetics from Naropa University (2015). They were diagnosed with depression at the age 11 and prescribed the anti-depressant Prozac, which they used until the age of 17. They were never informed of the possible side effects on patients of that age. They survived a physically, psychologically and emotionally abusive relationship with one parent which sometimes turned violent and traumatic.They still cope with these realities today. They are convinced that trauma changes the way we tell our own stories.
Tell Vision
You find the television where it landed on the soft ooze thaw April field fifty yards beyond the statue garden. It is impossibly untouched what you mean to say is unbroken. This is after a cluster bomb hit the roof of the foreign embassy which itself is the ill amber yellow cholera illness growth the air is a glistening season the flavor of asbestos and the weather leaves the embassy a gouged crater like a carcass of whistle clean glisten white. The endless bluster blizzards of files flow down like a wave of nuclear pollen. Natives scour in hunting packs for passport B sides unpaid stubble classifieds criminal records credit cards bank account run away with swaths of glisten copper old silver fittings stamps stains molds all the heavy metals of a surrogate overthrow played out like a mock hide and seek. And you are reminded of what you were once told crossing the permeable border to this nation. In a destruction culture nothing is sacred. You answered what culture is not a destruction culture. You find this television surrounded by palm sized mushrooms. It is the season for them. You’ve heard of such things, of the twinge whorl curls of dynamism let down safe and sound in the hawk stomach of vector and furor. And do not know if you feel more amazed it is not broken or it is not gutted already. Surely it has copper wire inside. An odd layer of rot has crawled under its glossy blackface like a gnurl furnace of green. You cannot imagine what it is. What illness could possess its face in less than an hour after the bombing? What could have infected it so fast? It is small, portable, fits behind the motorbike you hijacked the days before the last lesser purge. You found it sprawled without its rider jackknifed. The deep furrow treads lasting half a mile into the brush. It drove through the flash fire without its rider. That was two days ago. They call them deinfestations as though the spray of night fire whistle blooms like fourth of July are routine chlorine sprays. And now roaches are indeed plentiful. The days have borders you cannot name anymore. No one at the rooming house questions your whereabouts and won’t answer for them. Your letters pour in five times a day. Contradictions marked action necessary contents classified respond immediately in the bold block letters used to summoned you to the Federal Bureau. Twenty a day or more. Only the intricate webs of your surveillance, offering, palavering, pandering and demanding. As though all ways are some inviolable taking. None of them are any more credible than any other. All of them could turn you in. You sometimes wonder if you are the same digestion track as everyone else. That the chain of food is literal. And you are one of the many morsels of caloric information on its route. And wonder if it feeds some larger organ of entity. The slithering map of the original indebted from the poker game grows in every direction now. It widens and lengthens through the swollen flesh of the country. But also thickens into a wasp nest of jungle fungal foliage spoil. It seems to grow out of the vellum. Your records burned. Your body you see reflected in the pensive square of this television screen carries no gravity. Today you ride the motorbike through the ramshackle overturn streets like upside down bridges. The walled covered roads like the yawns of empty stomachs. Or the wheeze of a long dead hide. Something being tread beneath a tire. You have asked yourself the name of this sound that you’ve heard rattle out before death. And it is as though you drive a fresh paved path. None of the bumps churns and hustles in the concrete overturn you. Once you saw a parade of the bulletproofed tanks overturn from one curl in the road. There was no sound to this film. A newsreel spun on one of the many homegrown theaters the natives nourish all nights during the sweltering summers. You sat on your rattan awning creaking with disrepair and watched. Outdoor propaganda festivals took place every night. The greasy grey faces of the enemy El Presidentes morph into the soggy maws of dogs and demon pigs. And when your own flickered to boos and cries of long live the rebellion, you cheered along with them. Now all the grand screens have been gutted rotted or burned. The smokestack skies gurgle through the gaps. Sitting on the same rattan awning as the napalm dawns that shiver through the Molotov festival dusks. A through each held a new private newsreel in its opened carcass. The smoke that shivers through the midnight oil air like a furious pelt. This is not an invasion. Another convulsion of the territory from within. Nothing about your position has changed except its structure. Except the membrane of under fur that has spread over you. The lostness of you that grows from every cell undifferentiated as cancer. As though you have invited an anonymous lover into your bones. Or rather a thief has entered the house of your mind. You’ve seen this happen to corpses before. The slow stretching mass fabric that emits from the mouths. But no one can explain to you what this means. It happens at least once every six months. And if you keep your head down and mind the business, whatever business you are in, you’re left to your device. But if you haven’t got your head down far enough, well. Every native draws his one long rusty fingernail reserved for makeshift paraphernalia across his throat with a snicker. You’ve never plugged it in. It’s been on the floor all day, dim, moldy, smooth as a rippleless night. The snow static screeches. Ask yourself which of these kamikaze electrons dying on the stratosphere you are. And then you hear it. Thin, dry, and feeble. A signal is leaking through.
Wednesday, February 15, 2017
13 Ways of Looking at Poetry By Donal Mahoney
Donal Mahoney has had work published in various publications, including The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Christian Science Monitor, The Beloit Poetry Journal, Commonweal, The National Catholic Reporter and other magazines. Some of his online work can be found at http://eyeonlifemag.com/the-poetry-locksmith/donal-mahoney-poet.html#sthash.OSYzpgmQ.dpbs=
13 Ways of Looking at Some Polyps
He asked and so I told him.
The “cancer” poems stem
from cancer in the family.
Daughter’s terminal.
Son's a five-year survivor.
Mother died at 59.
I had 13 polyps, all benign,
snipped a year ago.
I go back next month
for another roto-rooter.
As one grows older,
neighbors, friends and folks
one doesn’t know
die from it.
That’s life, isn’t it.
One never knows
but the question’s not
“Why me?”
The question is
“Why not me?"
Think about it.
We’ll all pop something
now or when, won’t we.
Donal Mahoney
A Knockout at the End
My parents were
far from preachy.
They went to church
separately and I went
to the children’s service
separately as well.
But as a family we
went to many Irish wakes
that enabled me
last New Year’s Day
to look death in the eye
when my daughter died
after a long fight to live.
I’m old enough now
to listen for the bell signaling
my own last round with death.
Hard to believe I've made it this far.
I may even lead on points
but any bookie will tell you
death by a knockout at the end.
Donal Mahoney
A School Bus Is Coming
On weekday mornings
on a quiet corner
three moms with small
sons and daughters
wait for a school bus
they hope is coming
The children laugh
play a game of tag
three moms are silent
three feet apart
One reads a book
another smokes
the other checks
her cell phone
The bus pulls up
the kids pile on
and rush to windows
to wave good-bye
the moms all wave
as if in sync
The bus takes off
makes its turn
three moms
walk home
three feet apart
down the block
without a word
three moms
with children gone
are free at last
white, black and brown
Donal Mahoney
Answer Me This, America
Took the wife
to a pancake house
the other day.
National franchise
good food
fine reputation.
Skipped the pancakes
had bacon, eggs,
hash browns, toast
and coffee.
Wife went fancy,
had an omelette.
Grabbed the check
because the busboy
started clearing
the table early.
A young dervish
new to the job
swirling his cloth
for minimum wage.
Bothered me
to realize he'd work
three hours and a skosh
to pay for the same
breakfast, more
if he left a tip.
Reminded me
something’s wrong
with our great nation,
how we do business.
Have both ears open.
Hoping for an answer.
Donal Mahoney
Coffee with Mr. Conscience
There are a lot of people like me
neither rich nor poor, idling
in the middle who have never wanted
for anything in our lives.
We were reared by parents
who fed us and sent us to school.
We graduated and found jobs
and then moved on to better ones.
We raised families of our own.
We have pensions now
and can pay our bills.
We can buy a new recliner
when the old one breaks.
Which is why I hate to stop
for coffee at Pete’s Diner
and find Mr. Conscience there
sipping his and waiting to ask me
what I’ve done for the poor lately.
He’s an old caseworker who
worked in the projects until retirement.
He volunteers now with a group that
caulks the gaps public grants don't cover.
He never gives me a moment’s peace,
always after me to help a needy person.
He’ll take cash or a check, isn't fussy.
He’s Mr. Conscience and he drives me nuts.
But I wouldn't have coffee with anyone else.
Donal Mahoney
13 Ways of Looking at Some Polyps
He asked and so I told him.
The “cancer” poems stem
from cancer in the family.
Daughter’s terminal.
Son's a five-year survivor.
Mother died at 59.
I had 13 polyps, all benign,
snipped a year ago.
I go back next month
for another roto-rooter.
As one grows older,
neighbors, friends and folks
one doesn’t know
die from it.
That’s life, isn’t it.
One never knows
but the question’s not
“Why me?”
The question is
“Why not me?"
Think about it.
We’ll all pop something
now or when, won’t we.
Donal Mahoney
A Knockout at the End
My parents were
far from preachy.
They went to church
separately and I went
to the children’s service
separately as well.
But as a family we
went to many Irish wakes
that enabled me
last New Year’s Day
to look death in the eye
when my daughter died
after a long fight to live.
I’m old enough now
to listen for the bell signaling
my own last round with death.
Hard to believe I've made it this far.
I may even lead on points
but any bookie will tell you
death by a knockout at the end.
Donal Mahoney
A School Bus Is Coming
On weekday mornings
on a quiet corner
three moms with small
sons and daughters
wait for a school bus
they hope is coming
The children laugh
play a game of tag
three moms are silent
three feet apart
One reads a book
another smokes
the other checks
her cell phone
The bus pulls up
the kids pile on
and rush to windows
to wave good-bye
the moms all wave
as if in sync
The bus takes off
makes its turn
three moms
walk home
three feet apart
down the block
without a word
three moms
with children gone
are free at last
white, black and brown
Donal Mahoney
Answer Me This, America
Took the wife
to a pancake house
the other day.
National franchise
good food
fine reputation.
Skipped the pancakes
had bacon, eggs,
hash browns, toast
and coffee.
Wife went fancy,
had an omelette.
Grabbed the check
because the busboy
started clearing
the table early.
A young dervish
new to the job
swirling his cloth
for minimum wage.
Bothered me
to realize he'd work
three hours and a skosh
to pay for the same
breakfast, more
if he left a tip.
Reminded me
something’s wrong
with our great nation,
how we do business.
Have both ears open.
Hoping for an answer.
Donal Mahoney
Coffee with Mr. Conscience
There are a lot of people like me
neither rich nor poor, idling
in the middle who have never wanted
for anything in our lives.
We were reared by parents
who fed us and sent us to school.
We graduated and found jobs
and then moved on to better ones.
We raised families of our own.
We have pensions now
and can pay our bills.
We can buy a new recliner
when the old one breaks.
Which is why I hate to stop
for coffee at Pete’s Diner
and find Mr. Conscience there
sipping his and waiting to ask me
what I’ve done for the poor lately.
He’s an old caseworker who
worked in the projects until retirement.
He volunteers now with a group that
caulks the gaps public grants don't cover.
He never gives me a moment’s peace,
always after me to help a needy person.
He’ll take cash or a check, isn't fussy.
He’s Mr. Conscience and he drives me nuts.
But I wouldn't have coffee with anyone else.
Donal Mahoney
Poetry By Karlo Silverio Sevilla
Karlo Sevilla is a freelance writer who lives in Quezon City, Philippines. His poems have appeared or are forthcoming in Philippines Graphic, Radius Lit, Yellow Chair Review, Wraith Infirmity Muses, Peacock Journal, Eternal Remedy, Peeking Cat Poetry Magazine, Sub-saharan Magazine, Riverfeet Press Anthology, and elsewhere. He also coaches wrestling, trains in Brazilian Luta Livre, and does volunteer work for the labor group Bukluran ng Manggagawang Pilipino (Solidarity of Filipino Workers).
Screaming the Small Stuff
There she goes again:
Waving and shouting,
close to frantic or frantic,
just to hail that passenger trike,
when one passes by our street
every ten seconds!
(As if marooned on an island, alone,
and a rare ship passes by...)
This Afternoon, I Lost the Key
Knuckles sore, skin on middle finger blistered,
and the door remains locked.
Calling, shouting out his name,
I’m annoying our elderly neighbors again,
rousing them from their afternoon nap.
Still, our door remains closed.
Is it only the voices he hears?
Or do the voices, or some (or one)
of them, command (commands) him
not to let me in?
I need to pee, I need to change.
My eyes meet the rock in our garden,
which shall soon meet the glass
of our window.
Screaming the Small Stuff
There she goes again:
Waving and shouting,
close to frantic or frantic,
just to hail that passenger trike,
when one passes by our street
every ten seconds!
(As if marooned on an island, alone,
and a rare ship passes by...)
This Afternoon, I Lost the Key
Knuckles sore, skin on middle finger blistered,
and the door remains locked.
Calling, shouting out his name,
I’m annoying our elderly neighbors again,
rousing them from their afternoon nap.
Still, our door remains closed.
Is it only the voices he hears?
Or do the voices, or some (or one)
of them, command (commands) him
not to let me in?
I need to pee, I need to change.
My eyes meet the rock in our garden,
which shall soon meet the glass
of our window.
Poetry By Michael Marrotti
Michael Marrotti is an author from Pittsburgh, equipped with a chemical imbalance and lack of patience. His writing has propagated the small press like chlamydia in Beechview. He's out to make a difference through writing and philanthropy. A faithful volunteer at the Light Of Life Rescue Mission going on three years now, he believes in action. Michael Marrotti writes books that sell no more than five copies, but get 5 star reviews, like F.D.A. Approved Poetry, available on Amazon. You can reach him at michaelmarrotti@gmail.com
My Mother, The Saint
The woman
has been married
three times
and divorced twice
yet takes no
responsibility
for her actions
My mother the saint
always portrays
herself as the victim
She gave birth
to a daughter
and a son
through this
second marriage
yet hasn't talked
to either in years
she's still portraying
herself as the victim
It must be an act
of convenience
an extra perk
that goes along
with the excessive
drinking
Blacking out
remembering
nothing
her own
shaky finger
pointing
in the opposite
direction
I'm a demon spawn
to her neighbors
and coworkers
pity on tap
she's infallible
the woman
has a way with
fiction
I'm telling you
my mother
excels at her craft
she's had her
entire life to practice
even my own kids
tell me I have to be
nice to grandma
I've given up
on diplomacy
long ago
once I realized
there's no cure
for the redundant
I'm a terrible
son of a bitch
member of the
guilty party
or better yet
a son of a drunk
who learned
from the best
how not to keep
his mouth shut
Happy Mother’s Day
I'm stepping on
every crack
my Chucks
are fortunate
enough to touch
Cursing each
and every
liquor store
on my horizon
Sending out an
envelope of contempt
for her special day
that comes around
once a year
To remind me
of all the abuse
80 proof or
80% of the time
the rest were spent
on her random lovers
who would spilt
after a few weeks
fortunate mother
fuckers
Driven to madness
lashing out
only to be put
in psychiatric care
when the straight jacket
should've been worn by you
it would've been
a better fit
You label me a monster
when I'm a product
of my environment
I've learned
how to deal with it
by following
the instructions
on the bottle
and adhering to the rules
of an imaginary
restraining order
The days
doused in vodka
insincerity of the heart
love trapped in a bottle
passionately emptied
into an abrasive soul
happy mother's day
you've earned it
bottom shelf vodka
enough is enough
Redemptive Cause
We go through
this routine
every couple
of months
Where vodka
bottles explode
felonies are close
enough to touch
and pictures of
better times
fall from the walls
I like to think
of the time
spent away
as a joyful
vacation
When the only time
I show teeth
is when I smile
hands are used
to warmly
embrace others
and the bottle
of Xanax
is forgotten
Plus I'm saving
money on Tylenol
Until I attempt
to rewrite history
again and again
like a lunatic
on a redemptive
mission
By subjecting myself
to the malice
in Brookline
by a woman I
reluctantly call mom
who is out to destroy
anything with a smile
Bottle To The Grave
From the bottle
to the grave
peace will come
when her
inebriated body
is deposited
inside the ground
May the next toast
be your last
and with it
all the future torture
of a drunken life
self-severing and
self-sufficient
You can only push
people so far
now I'm across
state lines
in a better place
free of abuse
Your only son
or the bottle
you've made
the choice
Enjoy that vodka
until the end
it's all you have left
those twelve steps
brought you back
to the beginning
A son without
a mother
who tried diligently
to make it better
but in the end
had to face the facts
He'd never be
as significant
as the bottle
My Mother, The Saint
The woman
has been married
three times
and divorced twice
yet takes no
responsibility
for her actions
My mother the saint
always portrays
herself as the victim
She gave birth
to a daughter
and a son
through this
second marriage
yet hasn't talked
to either in years
she's still portraying
herself as the victim
It must be an act
of convenience
an extra perk
that goes along
with the excessive
drinking
Blacking out
remembering
nothing
her own
shaky finger
pointing
in the opposite
direction
I'm a demon spawn
to her neighbors
and coworkers
pity on tap
she's infallible
the woman
has a way with
fiction
I'm telling you
my mother
excels at her craft
she's had her
entire life to practice
even my own kids
tell me I have to be
nice to grandma
I've given up
on diplomacy
long ago
once I realized
there's no cure
for the redundant
I'm a terrible
son of a bitch
member of the
guilty party
or better yet
a son of a drunk
who learned
from the best
how not to keep
his mouth shut
Happy Mother’s Day
I'm stepping on
every crack
my Chucks
are fortunate
enough to touch
Cursing each
and every
liquor store
on my horizon
Sending out an
envelope of contempt
for her special day
that comes around
once a year
To remind me
of all the abuse
80 proof or
80% of the time
the rest were spent
on her random lovers
who would spilt
after a few weeks
fortunate mother
fuckers
Driven to madness
lashing out
only to be put
in psychiatric care
when the straight jacket
should've been worn by you
it would've been
a better fit
You label me a monster
when I'm a product
of my environment
I've learned
how to deal with it
by following
the instructions
on the bottle
and adhering to the rules
of an imaginary
restraining order
The days
doused in vodka
insincerity of the heart
love trapped in a bottle
passionately emptied
into an abrasive soul
happy mother's day
you've earned it
bottom shelf vodka
enough is enough
Redemptive Cause
We go through
this routine
every couple
of months
Where vodka
bottles explode
felonies are close
enough to touch
and pictures of
better times
fall from the walls
I like to think
of the time
spent away
as a joyful
vacation
When the only time
I show teeth
is when I smile
hands are used
to warmly
embrace others
and the bottle
of Xanax
is forgotten
Plus I'm saving
money on Tylenol
Until I attempt
to rewrite history
again and again
like a lunatic
on a redemptive
mission
By subjecting myself
to the malice
in Brookline
by a woman I
reluctantly call mom
who is out to destroy
anything with a smile
Bottle To The Grave
From the bottle
to the grave
peace will come
when her
inebriated body
is deposited
inside the ground
May the next toast
be your last
and with it
all the future torture
of a drunken life
self-severing and
self-sufficient
You can only push
people so far
now I'm across
state lines
in a better place
free of abuse
Your only son
or the bottle
you've made
the choice
Enjoy that vodka
until the end
it's all you have left
those twelve steps
brought you back
to the beginning
A son without
a mother
who tried diligently
to make it better
but in the end
had to face the facts
He'd never be
as significant
as the bottle
Poetry By Joan McNerney
Joan McNerney’s poetry has been included in numerous literary magazines such as Camel Saloon, Seven Circle Press, Dinner with the Muse, Blueline, Halcyon Days. Her work has been included in many Bright Hills Press , Kind of A Hurricane Press and Poppy Road Review anthologies and has been nominated four times for Best of the Net.
Fear
Sneaks under shadows lurking
in corners ready to rear its head
folded in neat lab reports charting
white blood cells over edge running wild.
Or hiding along icy roads when
day ends with sea gulls squalling
through steel grey skies.
Brake belts wheeze and whine
snapping apart careening us
against the long cold night.
Official white envelopes stuffed with
subpoenas wait at the mailbox.
Memories of hot words burning
razor blades slash across our faces.
Fires leap from rooms where twisted
wires dance like miniature skeletons.
We stand apart inhaling this mean
air choking on our own breath.
Eleventh Hour
Wrapped in darkness we can
no longer deceive ourselves.
Our smiling masks float away.
We snake here, there
from one side to another.
How many times do we rip off
blankets only to claw more on?
Listening to zzzzzz of traffic,
mumble of freight trains, fog horns.
Listening to wheezing,
feeling muscles throb.
How can we find comfort?
Say same word over and over
again again falling falling to sleep.
I will stop measuring what was lost.
I will become brave.
Let slumber come covering me.
Let my mouth droop, fingers tingle.
Wishing something cool…soft…sweet.
Now I will curl like a fetus
gathering into myself
hoping to awake new born.
suicide sneaks
thru blue bedroom, a chair
falls across bedspread
spins along random floor
i wander up wall hang
suspended from light bulb
phone rings we speak into
plastic wire did you know
how dizzy i am i am i am
in bathroom blushing curtains
razor blades near sink
polishing landlady's
scarred furniture vanity
table cut in my arm
how white!
ahhh furnishedbluebedrooms
insides of existentialessays
televisionscreens
something hiding important
under coils in back of brain
only this makes me happy
insects busy night&day
i hear them.
dividing mind
infamous
swift
yellow
automobile
no particular
date/model
passing sculptured gardens,
graveyards, women in long
veils of mourning/morning
black everything still still still
(except for children who skip while
clutching doubleheaded iccreamcones)
infamous
swift
no particular
clock stares at 12 which
was yesterday or could be
tomorrow but might as well
be today … why talk against time?
infamous
yellow
no particular
automobile driving thru
longwhiteline of hi way
dividing mind into
distinct red boxes
cat e gories
automobile driving to
any anonymous
hospital
beyond graveyards
gardens morning veils
infamous
swift
yellow.
Fear
Sneaks under shadows lurking
in corners ready to rear its head
folded in neat lab reports charting
white blood cells over edge running wild.
Or hiding along icy roads when
day ends with sea gulls squalling
through steel grey skies.
Brake belts wheeze and whine
snapping apart careening us
against the long cold night.
Official white envelopes stuffed with
subpoenas wait at the mailbox.
Memories of hot words burning
razor blades slash across our faces.
Fires leap from rooms where twisted
wires dance like miniature skeletons.
We stand apart inhaling this mean
air choking on our own breath.
Eleventh Hour
Wrapped in darkness we can
no longer deceive ourselves.
Our smiling masks float away.
We snake here, there
from one side to another.
How many times do we rip off
blankets only to claw more on?
Listening to zzzzzz of traffic,
mumble of freight trains, fog horns.
Listening to wheezing,
feeling muscles throb.
How can we find comfort?
Say same word over and over
again again falling falling to sleep.
I will stop measuring what was lost.
I will become brave.
Let slumber come covering me.
Let my mouth droop, fingers tingle.
Wishing something cool…soft…sweet.
Now I will curl like a fetus
gathering into myself
hoping to awake new born.
suicide sneaks
thru blue bedroom, a chair
falls across bedspread
spins along random floor
i wander up wall hang
suspended from light bulb
phone rings we speak into
plastic wire did you know
how dizzy i am i am i am
in bathroom blushing curtains
razor blades near sink
polishing landlady's
scarred furniture vanity
table cut in my arm
how white!
ahhh furnishedbluebedrooms
insides of existentialessays
televisionscreens
something hiding important
under coils in back of brain
only this makes me happy
insects busy night&day
i hear them.
dividing mind
infamous
swift
yellow
automobile
no particular
date/model
passing sculptured gardens,
graveyards, women in long
veils of mourning/morning
black everything still still still
(except for children who skip while
clutching doubleheaded iccreamcones)
infamous
swift
no particular
clock stares at 12 which
was yesterday or could be
tomorrow but might as well
be today … why talk against time?
infamous
yellow
no particular
automobile driving thru
longwhiteline of hi way
dividing mind into
distinct red boxes
cat e gories
automobile driving to
any anonymous
hospital
beyond graveyards
gardens morning veils
infamous
swift
yellow.
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